MUSA131-14S1 (C) Semester One 2014

Organum to Autotune

15 points

Details:
Start Date: Monday, 24 February 2014
End Date: Sunday, 29 June 2014
Withdrawal Dates
Last Day to withdraw from this course:
  • Without financial penalty (full fee refund): Sunday, 9 March 2014
  • Without academic penalty (including no fee refund): Sunday, 25 May 2014

Description

An overview of Western music history from Medieval times to the present day, including the development of music notation systems, instruments, performance techniques, basic musical structures and genres, and the growth of the "music industry".

The discipline of musicology explores the role of music in history, society, and culture.  At its broadest, it includes all genres of music, and includes varied approaches to history, as well as exploring intersection of music and other topics (such as social and political change, revolution, and colonisation).

This course provides an introduction to a series of topics in music history, and an overview of the music of different historical periods.  It focuses on western cultures but also ventures into other traditions.  It includes a study of the history of music notation, instruments, performance techniques, genre development, and the growth of the "music industry".

The course takes the approach of a theme-based overview of socio-cultural topics in music history.  It provides the foundation knowledge and skills that are further developed in the second and third-year music history, world music, and popular music studies, and is a foundation and prerequisite course for 200-level MUSA history courses (MUSA231, 232, 233 and 244).

Course Content

Music:  Organised Sound?  The Labelling Problem
Notating Music:  From Petrucci to pdf
The Invention of Polyphony:  Early Organum and Notre Dame
Organum to Autotune:  The Voice and the Word in Music
Music and Theatre, Music with Images:  Euridice to YouTube
Paying the Piper:  Muses and Markets, Patrons to Pop Music
Authenticity, the Personal Voice, and Ownership:  Robert Johnson, Jordi Savall and Thom Yorke
The Virtuoso:  Performance and Display – Paganini, Hendrix, and Beyond
Avant-Gardes:  From Ars Nova to Darmstadt
Recording, from Cylinders to Samples:  Mr Edison to Missy Elliott
Telling Tales:  Making Music Histories

Learning Outcomes

Students who pass this course will
*  be able to demonstrate an understanding and knowledge of important historic milestones and developments in Western music including the history of music notation, musical virtuosity, development of instruments and performance techniques, musical structures, music genres, authenticity and ownership of music, music with story and image, recording of music, digitisation of music and the music industry;
*  have developed literacy and tertiary study skills;
*  have acquired fundamental music research techniques including use of music libraries and on-line data bases.

Course Coordinator / Lecturer

Francis Yapp

Lecturer

James Gardner

Assessment

Assessment Due Date Percentage  Description
Research Assignment 10 Mar 2014 15%
Review Assignment 31 Mar 2014 25%
Essay 12 May 2014 30% (1500 to 2000 words)
Listening Test 02 Jun 2014 30%


All Assessments are due at 9 am on the specified date.  You should submit a hard copy to the assignment drop-box in the School of Music foyer.

Additional Course Outline Information

Assessment and grading system

The following shows how to translate grades to numerical scores:

A+  90–100;    A   85–89;    A-  80–84;    B+   75–79;    B 70–74;    B-   65–69;     C+  60–64;     C  55–59;     C- 50–54;     D  40–49;   E  0–39
In a course at 100- or 200-level examiners may grant restricted credit (R) which will be equivalent to a pass for all purposes except as a prerequisite.

Indicative Fees

Domestic fee $748.00

International fee $3,388.00

* All fees are inclusive of NZ GST or any equivalent overseas tax, and do not include any programme level discount or additional course-related expenses.

For further information see Humanities .

All MUSA131 Occurrences

  • MUSA131-14S1 (C) Semester One 2014