MUSI127-11W (C) Whole Year 2011

Composition 1

30 points

Details:
Start Date: Monday, 21 February 2011
End Date: Sunday, 13 November 2011
Withdrawal Dates
Last Day to withdraw from this course:
  • Without financial penalty (full fee refund): Sunday, 6 March 2011
  • Without academic penalty (including no fee refund): Sunday, 4 September 2011

Description

Investigation of appropriate techniques and procedures springing from the compositional initiatives of each class member.

This course is designed to develop personal expression by investigating appropriate compositional techniques and procedures arising from the student's compositional initiatives.

A brief study of some of the parameters of music.  Development and discussion of student's own ideas and compositions.

Course Coordinator

Christopher Cree Brown

Assessment

Assessment Due Date Percentage 
Assignment 1 12%
Assignment 2 12%
Assignment 3 16%
Assignment 4 16%
Assignment 5 16%
Assignment 6 20%
Concert Attendance 8%


In assessing, the following factors are taken into account:
Marks will be awarded for:
- the quality of the idea (the concept behind the idea)
- the realisation of the idea
- originality
- presentation

You must submit evidence of having attended FIVE concerts during the year, at least three of them organised by the School of Music.  Evidence of concert attendance will be a copy of the concert programme (or other reference to the concert), with your name written on it and signed by a member of School of Music staff.  In the case of a non-School of Music concert you should produce a ticket stub and/or official programme.

Guidelines

It is expected that:
1) The candidate has enough music literacy skills to enable the written musical sounds to inform   and feed-back into the creative process;
2)  Pieces presented for assignments can be MIDI.  All pieces presented the workshop are either electro-acoustic or recordings of live performances
3)  Each candidate must attend and participate in lectures and composers workshops (unless there are good reasons);
4)  At least one piece (either an assignment or another piece) must have been performed in a composer’s workshop.

Textbooks / Resources

Required Texts

Risatti, Howard Anthony; New music vocabulary : a guide to notational signs for contemporary music ; University of Illinois Press, 1975.

Course links

Library portal

Additional Course Outline Information

Assessment and grading system

The following table shows how to translate grades to numerical scores: A+ 85-100 B- 60-64 A 80-84 C+ 55-59 A- 75-79 C 50-54 B+ 70-74 D 35-49 B 65-69 E 0-34 The grade C- is used as a non-continuing pass. It entitles a student to pass the course but it does not provide entry to those advancing courses which require the original course as a prerequisite.

Late submission of work

All items of assessment must be submitted by the due date and time. In the case of illness or critical circumstance which might make it impossible for an item to be submitted in time, contact must be made with the Course Coordinator before the due date and application made for an extension of time. The application must explain the circumstances of the delay, and any extension will be at the discretion of the Course Coordinator.

Where to submit and collect work

All essay and assignment material must be firmly secured (stapled, or bound in a folder), and contain on the front page or cover the following information: Student name, Course number, Lecturer. Unless the class is instructed to the contrary, the assignment should be posted in the appropriate box at the School of Music counter by the due date.

Indicative Fees

Domestic fee $1,330.00

International fee $6,150.00

* All fees are inclusive of NZ GST or any equivalent overseas tax, and do not include any programme level discount or additional course-related expenses.

For further information see Music .

All MUSI127 Occurrences

  • MUSI127-11W (C) Whole Year 2011