CULT202-25S2 (C) Semester Two 2025

Cultural Politics/Cultural Activism

15 points

Details:
Start Date: Monday, 14 July 2025
End Date: Sunday, 9 November 2025
Withdrawal Dates
Last Day to withdraw from this course:
  • Without financial penalty (full fee refund): Sunday, 27 July 2025
  • Without academic penalty (including no fee refund): Sunday, 28 September 2025

Description

This course offers students a grounding in Cultural Studies theories and methods. It examines the political dynamics and historical foundations of contemporary culture, and the strategic roles that it can play as a force for change. Drawing from a wide variety of examples, it focuses on how culture - as a process, as a practice, and as the production of meaning - functions as a battleground in the assignment of and struggle for social power.

This course considers how 'culture' - as a process, as a practice, and as the production of meaning - functions as a battleground in the assignment of and struggle for social power. We will address how culture operates in terms of social control and resistance, and consider how we might ‘read’ culture, much as we would read other forms of texts. We will explore ways that subjects and subjectivities are produced, and how bodies are shaped and controlled through discourse. Throughout the course, we will consider how these ideas inform various forms of cultural activism – a blend of artistic expression and activism grounded in the need for social justice and political change.

As Cultural Studies is interdisciplinary, we will apply theoretical and practical debates to a wide range of contemporary cultural texts and modes, from films, television, museums, music, social media, satire, advertising, drag, and visual art, to everyday acts of social and political resistance like culture jamming. In the first half of the course, we will consider the history of some of these forms of cultural activism, alongside debates about culture, industry and authenticity. In the second half, we explore contemporary approaches to space, bodies, identities, taste, and power. We will pay close attention to issues such as socio-economic class, gender, sexuality, and race / ethnicity. Throughout we emphasise our context in Aotearoa New Zealand and the Pacific, for instance, by connecting calls for decolonisation in Aotearoa to other forms of resistance here and abroad. Students will be invited to apply theories and concepts to their own examples and experiences throughout the course’s classes and assessments.

This course provides an excellent grounding in key theories that underpin contemporary study in the humanities and will be of value to students from a variety of backgrounds and disciplines. We regularly hear from students across different programmes, including the BA, BCYL and BSW, that this course has offered an excellent foundational course for higher-level study.

Please note this course emphasises in-person engagement and is not designed to be taken by distance. Lectorials are interactive; they are designed to lead students through an exploration of big ideas through discussion and questioning. Assessments are structured carefully to help students develop skills throughout the course. ECHO recordings of lectures will be made available as study resources, but these are not a useful replacement for consistent in-person participation.

Please note that course has an emphasis upon in-person engagement, and is not designed to be taken by distance. Lectures have a strong discussion component. Assessments are structured carefully to help you develop skills throughout the course. ECHO recordings of lectures will be made available as study resources, but these are not a replacement for consistent in-person attendance.

Learning Outcomes

By the end of this course, you will be able to:

1. explain how and why ‘resistance’, ‘control’, ‘identity’ and ‘authenticity’ are complex and problematic terms

2. demonstrate an understanding of some key works of critical and cultural theory by describing key concepts and applying them to a wide range of everyday cultural texts and practices

3. analyse and problematise ways that cultural forms and practices have, over time, been assigned meaning and value

4. evaluate some of the ways that subjects and subjectivities might be constructed, negotiated and contested

5. appraise the textuality and politicality of cultural forms and practices by developing thoughtful arguments about examples of your choosing, including examples from Ōtautahi Christchurch and Aotearoa New Zealand

Prerequisites

Any 15 points at 100 level from CULT or ENGL, or
any 60 points at 100 level from any subject.

Restrictions

Equivalent Courses

Timetable 2025

Students must attend one activity from each section.

Lecture A
Activity Day Time Location Weeks
01 Monday 10:00 - 11:00 Jack Erskine 031 Lecture Theatre
14 Jul - 24 Aug
8 Sep - 19 Oct
Lecture B
Activity Day Time Location Weeks
01 Tuesday 11:00 - 13:00 Jack Erskine 031 Lecture Theatre
14 Jul - 24 Aug
8 Sep - 19 Oct

Lecturer

Erin Harrington

Textbooks / Resources

All resources will be provided via Learn. This includes written work from theorists and writers, including Walter Benjamin, Judith Butler, Guy Debord, Jean Baudrillard, Mikhail Bakhtin, Michel Foucault, Gloria Anzaldúa and Michel de Certeau, alongside new media and film from artists such as filmmaker Merata Mita (Ngāti Pikiao, Ngāi Te Rangi) and Pasifika arts collective FAFSWAG.

(Image: "If graffiti changed anything it would be illegal - Banksy" by duncanc, licensed under CC BY-NC 2.0. Cropped from original.)

Course links

Library portal

Indicative Fees

Domestic fee $894.00

International fee $4,100.00

* All fees are inclusive of NZ GST or any equivalent overseas tax, and do not include any programme level discount or additional course-related expenses.

For further information see Humanities .

All CULT202 Occurrences

  • CULT202-25S2 (C) Semester Two 2025